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Great album Aug 17, 2008
Surprise package. I had only heard the Radiohead 'Just' cover once before and bought the album on spec. A great eclectic mix with a mix of horns, groove, soul and funk.
8 of 8 found the following review helpful:
He delivers the goods in style. Jun 08, 2008
Mark Ronson's a busy man. He's been producing for Amy Winehouse, Lily Allen and Robbie Williams, yet has still found time to focus on his own studio album.
Comprised of new versions of old classics, it's a very entertaining listen from back to front, featuring the likes of Amy Winehouse, Ol' Dirty Bastard, Daniel Merriweather and Kasabian, all helping Ronson put his considerably fresh and funky twist on familiar tunes.
Highlights include the late ODB rapping to the Britney Spears refix of Toxic, Winehouse making vast improvements on the original with 'Valerie' and Phantom Planet singing an uber cool version of Radiohead's 'Just'.
Impressively suited for a party play through, this is definitely one to pick up for the nearing summer months.
With "Version", super-producer Mark Ronson has set out to prove that pop voyeurism and experimentalism don't have to be bad things using his own unique re-interpretive style.
Hence, he has assembled an album of spectacular cover versions that deliver very alternative versions of modern classics from Coldplay, The Charlatans, Radiohead and The Smiths.
Some listeners will undoubtedly write it off almost instantly as disastrous. Others may take some convincing.
But for many, "Version" is a brave, bold, blast of an album that almost always gets things right.
Ronson, for his part, emerges as a musical artist of the highest calibre -a music innovator whose funk-strewn re-interpretations effortlessly place themselves on the right side of cool.
On the whole, "Version" is a cut above most cover version compilations, as well as a darn fine party album for the approaching summer season. It probably won't impress the die-hard cynics - but for those willing to open their minds, or anyone in search of some expert funk, it delivers the goods in style.
My picks: "God Put A Smile Upon Your Face", "Oh My God", "Valerie", "Pretty Green", "Amy", "Just" and "Toxic".
Ronson Apr 26, 2008
Nice Variety of vocal and musical; in several arrangements, Ronson skillfully blends "big band" and modern sounds in a catchy, distinctive style not common in USA
 This is my Version Apr 05, 2008
I like this cd. The songs that are good are real good but over half of the cd is kind of "what the hell is this". But its a good cover album, its still a good buy.
2 of 19 found the following review helpful:
Enjoyable and fun from start to finish Apr 01, 2008
Mark Ronson has been around for a while but really skyrocketed up the "it" list after producing Lily Allen's "Alright, Still" and Amy Winehouse's "Back to Black" to stardom in 2006 (but released in the US in 07), so it didn't come as a surprise that he would put out another album (after 2003's Here Comes the Fuzz).
On "Versions" (14 tracks, 46 min.), Ronson continues the semi-throwback Motown/Stax sound he so aptly crafted for Allen and Whinehouse, only he applies it to covers of other artists, mostly with great result. The first half of the album is outstanding, After the instrumental opener, a cover of Coldplay's "God Put A Smile Upon Your Face", which features the fantastic Dapkins, Ronson calls on Lily Allen for a delightful version of the Kaiser Chiefs' "Oh My God". Even better is an almost unrecognizable version of Britney Spears' "Toxic", which is my book is miles better than the original. Amy Winehouse is called in on a terrific version of the Zutons' "Valerie" and Maximo Park's version of "Apply Some Pressure" ends a fabulous first half of the album, which I rate 4.5 Stars. After a short instrumental "Inversion", the second half starts, and it is intriguing but not as good. The Ryan Adams cover of "Amy" is a bit too close to the original, as is the Kasabian's cover of "L.S.F." I rate the second half of the album 3.5 stars.
In all, "Versions" is an enjoyable and fun album, no more, no less, with not much pretension other than to get people to move to the music, and of that, Mark Ronson does a great job.
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